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"In 1983, while I was painting outside during intensely cold weather, my shaking hand misplaced a few brush strokes. When I examined the painting, I noticed vibrations in the picture. Following that, I built upon my discovery by distorting my subjects, at first only slightly, then more strongly, thus adding those loose elements. This unique and personal style that I called vibrationism was perfected through constant evolution, over many years of work and research." |
