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... Vibrationism seen by various art critics

Palmer Poroner
François Faucher presents his "Vibrationism" to New York
Artpseak, New York, Summer 1993, p.3
Quebec artist François Faucher has waited patiently to bring his Vibrationism to the New York art scene, as he is doing with a solo of recent work at Abney Gallery [...] It is true that when looks at these canvases they seem to vibrate, even sometimes strongly, especially on first impression. Faucher presents a figurative image, but one never thinks of them as figure or abstraction. They are images out of his mind. He does not take images from life and then abstract or edit out the nonessentials. He begins with a simple image that represents a spirit or mood and then expresses it directly out of his feeling. These images are the emotional version of reality. What François Faucher sees in life is his own boundless energy. He supercharges his figures or still lifes so that they appear transfigured. Like many other artists who create an art entirely distinct, Faucher has made his inventions in technique [...]

Alexandra Shaw
The Whimsical, Lyrical Works of François Faucher
Manhattan Arts International, New York, Summer 1993, p.12
Lyrical and whimsical, Faucher's paintings erupt with an evanescent shimmer of fragmented shapes. In these works, boundaries are shattered and the universe is composed of a mass of rainbow colored vibrations. Painting is magically transformed into an intricate cerebral dance. The paintings often capture an otherwise ordinary moment in time, with xtraordinary visual delight and humor [...] An innovator, François Faucher has taken the philosophy of the Impressionists and expanded upon it with greater excitement and passion.
Jorge Santiago
François Faucher: A painter of incandescent joyfulness
Artspeak, New York, October 1993, p.5
Faucher [...] refers to his style as vibrationism, an the name is appropriate indeed: He creates the actual sense of a vibration through the chromatic vibrancy of his colors, especially when he adds a quality of incandescence by illuminating his scenes with candlelight [...] Figure and objects are strongly stylized in Faucher's bluntly simplified manner and stray particles of pigment floating in the air, like confetti, lend the picture a sense of decomposition, as though matter is slightly fragmented by memory.

Paul Gladu
François Faucher: Un temps fort de la peinture
Magazin'Art, Montréal, automne 1993, p.107
Translation: Fiona Malins
Faucher's works are recognizable by his tendency to deform shapes in very particular ways. Sometimes they are elongated, sometimes foreshortened, often they are cut and blurred. This very personal vision has an interesting source. One time, when painting out-of-doors in winter, his hand shook and the resulting image suggested a type of transposition. Since then, he has reproduced this effect which he calls vibrationism inside in the warm.